Robert Arneson was an artist who, although originally instructed in the style of a traditional potter, was known as a sculptor who helped to start the California "Funk art" style. In this style, his work was often humorous and ridiculous, as well as vulgar. I chose the piece above, however, because it fits into a bit of a different category. It is a trophy with red, white, and blue stripes that was sold for $7,500. As a trophy, it fits into one category of his works, but I am confused as to if there is any meaning behind this sculpture, and why it look a little messy.
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Judy Chicago Dinner Party Plate
The plate above was made by Judy Chicago and was included in the dinner party. The Dinner Party was multi-faceted in that her goal was to introduce the richness of women’s heritage into the culture in a number of ways which included a monumental work of art. The work of art, that was eventually housed at the Elizabeth A. Sackler Center for Feminist Art at the Brooklyn Museum, consists of a series of Entryway Banners, the ceremonial table representing 39 important historical female figures, the Heritage Panels, which elucidate the contributions of the 999 women on the Heritage Floor, and the Acknowledgement Panels that identify Judy Chicago’s assistants and collaborators. Together, these components celebrate the many aspects of women’s history and contributions. This plate was dedicated to Elizabeth Blackwell, who was notable for being the first woman to receive a medical degree in the United States. I like this piece due to the stacking and different colors used.
Assassination of a Famous Nut Artist, 1971
Robert Arneson was definitely a very unique artist than most who wasn't afraid to expose the vulgarity and honesty of reality. In this sculpture, he voices his political views of being a "vehicle" for anger and pain. He once said, " I want to make high art that is funny, outrageous and also reveals the human condition, which is not always high.”

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