The image above shows one of the many works by Robert Arneson. Arneson is considered the father of Funk Art, as he brought popularity to the style in California. Funk Art is described as art that can be considered ridiculous or humorous. It may be vulgar or figurative and it may have political context. Arneson's work shown here seems to be a pun for a head-lamp, as he made a lamp with the appearance of his own head. This piece also reminded me of the candle containing ceramic that we produced in class, as the project shares qualities with Arneson's creation. Additionally, it seems that Arneson enjoyed creating works that utilized his appearance as their foundation. Oddly, many of his first works that I came across were produced manipulations of himself.
Judy Chicago Dinner Party Plate
The plate above was made by Judy Chicago and was included in the dinner party. The Dinner Party was multi-faceted in that her goal was to introduce the richness of women’s heritage into the culture in a number of ways which included a monumental work of art. The work of art, that was eventually housed at the Elizabeth A. Sackler Center for Feminist Art at the Brooklyn Museum, consists of a series of Entryway Banners, the ceremonial table representing 39 important historical female figures, the Heritage Panels, which elucidate the contributions of the 999 women on the Heritage Floor, and the Acknowledgement Panels that identify Judy Chicago’s assistants and collaborators. Together, these components celebrate the many aspects of women’s history and contributions. This plate was dedicated to Elizabeth Blackwell, who was notable for being the first woman to receive a medical degree in the United States. I like this piece due to the stacking and different colors used.

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