This is a piece of ceramics made by Bernard Leach. I really like the detail and colors of this piece. Bernard Leach played a crucial pioneering role in creating an identity for artist potters across the world.
This is a Bernard Leach ceramic piece. This marmalade jar was painted blue and has brown designs over a cream ground. The rim is thin and has a notch for a spoon which I thought was useful for its purpose. I enjoy the contemporary design and the simple shape of the jar. The brush work of the glaze gives the piece a sophisticated look and feel to it, which I enjoyed.
Robert Arneson was definitely a very unique artist than most who wasn't afraid to expose the vulgarity and honesty of reality. In this sculpture, he voices his political views of being a "vehicle" for anger and pain. He once said, " I want to make high art that is funny, outrageous and also reveals the human condition, which is not always high.”
The plate above was made by Judy Chicago and was included in the dinner party. The Dinner Party was multi-faceted in that her goal was to introduce the richness of women’s heritage into the culture in a number of ways which included a monumental work of art. The work of art, that was eventually housed at the Elizabeth A. Sackler Center for Feminist Art at the Brooklyn Museum, consists of a series of Entryway Banners, the ceremonial table representing 39 important historical female figures, the Heritage Panels, which elucidate the contributions of the 999 women on the Heritage Floor, and the Acknowledgement Panels that identify Judy Chicago’s assistants and collaborators. Together, these components celebrate the many aspects of women’s history and contributions. This plate was dedicated to Elizabeth Blackwell, who was notable for being the first woman to receive a medical degree in the United States. I like this piece due to the stacking and different colors used.
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